Berlioz’s Christmas hit
The composer was not religious but saw his L’enfance du Christ as a deeply human story – and audiences deemed…
ByNew Times,
New Thinking.
Discover the best music books, with the New Statesman’s expert reviews, from biographies to pop histories.
The composer was not religious but saw his L’enfance du Christ as a deeply human story – and audiences deemed…
ByThe Bikini Kill singer was raised by a dangerous father, developed a finely tuned radar for sexual threat, and turned…
ByHow stars from Little Richard to David Bowie used their sexuality to set popular culture free.
ByDenied an audience with frontman Kevin Rowland, the author Nige Tassell asks the band’s army of musicians to tell its…
ByThe all-female band shone briefly in Sixties Hamburg, but were prevented from flourishing in a male-dominated scene.
ByAn entertaining study of sacked musicians reveals the tensions that give pop its power.
ByHow the subculture emerged from postwar London’s tribal landscape of fashion, class and violence.
ByA film about the cult all-night cinema and a memoir by my friend take me back: how motivated we all…
ByThe novelist’s arresting study of the power of music is marred by a clumsy structure and snobbish tone.
ByJeremy Eichler’s Time’s Echo shows how four great 20th-century composers captured the horrors of conflict.
ByThe songs he wrote with Elton John may be works of art. His bloated memoir is not.
ByLeah Broad’s Quartet restores the pioneering work and colourful lives of Britain’s finest female composers.
ByIn 1981, the singer sensed his future fame – and retreated. Nebraska, his darkest and most personal album, was the…
ByThe star producer’s supremely vague manual on creativity does nothing to explain his craft.
ByIn their glory days magazines such as NME and Melody Maker defined youth culture – but the quality of the…
ByNew Statesman writers and guests choose their favourite reading of the year.
ByIn his account of being “saved” by love and religion, the U2 frontman’s sincerity overpowers the scorn of his critics.
ByThe New Statesman’s selection of essential recent releases.
ByIn Let’s Do It, the musician and journalist reveals how ragtime, jazz, blues and swing still shape today’s popular culture.
ByTaking us through the contents of his attic, the Pulp frontman shows there was always more to him than ironic…
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