Why Wimbledon is made for radio
I thought I had to see tennis to believe it – but BBC Radio 5 Live’s commentary has transported me…
ByNew Times,
New Thinking.
I thought I had to see tennis to believe it – but BBC Radio 5 Live’s commentary has transported me…
ByA new poem by Maryann Corbett.
ByEurope has proved far more adept at building walls than the former US president was.
ByYour weekly dose of gossip from around Westminster.
ByWrite to letters@newstatesman.co.uk to have your thoughts voiced in the New Statesman magazine.
ByHow the French activist and thinker forged a radical new philosophy for an age of war and ideological conflict.
ByThe implication of Labour’s focus on “resilience” is that modern subjects are weak, inflexible and unable to cope.
ByThere are young thinkers that long for a party to assert cultural conservatism, and not just manage national decline.
ByUntil the European Union undergoes deep structural change, the door will remain shut.
ByPlease email zuzanna.lachendro@newstatesman.co.uk if you would like to be the New Statesman’s subscriber of the week.
ByIn renouncing his homeland and despairing of European culture, the Czech novelist walks in the footsteps of Kafka.
ByA succession of scandals has created a profound mistrust in our political and media class.
ByThe acclaimed historian on whether Britain is in decline, the Nairn-Anderson thesis and what Labour gets wrong about economic growth.
ByEveryone can, and should, be a critic. But the reviews website is having a sinister effect on books.
ByWith the nation consumed by sleaze, the serious business of government is at a standstill.
ByReviewing the Tom Cruise film Mission: Impossible – Dead Reckoning Part One is an exercise as absurd as critiquing porn…
ByThis column – which, though named after a line in Shakespeare’s “Richard II”, refers to the whole of Britain –…
ByHow the audacious artists of the Seventies embraced disgust and redefined female beauty.
ByI may have a grey beard, but the wingèd chariot dawdles no more for them than it does for me.
ByHow do we connect with the past when this impulse is often exploited by the worst people imaginable?
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