Hanif Kureishi’s interrupted life
In 2022 an accident left the novelist paralysed. His blackly comic memoir, Shattered, is a devastating portrait of an imprisoned…
ByNew Times,
New Thinking.
In 2022 an accident left the novelist paralysed. His blackly comic memoir, Shattered, is a devastating portrait of an imprisoned…
BySteve McQueen’s new film suggests the Second World War was not simply a time of uncomplicated national unity.
ByHere I am, writing about my shopping again: eat your heart out, Adrian Chiles.
ByLanguage is unravelling across the party.
By“Mysteries and Miracles” explores several centuries of sacred music.
ByHaving raised taxes and spending, Labour must now deliver improved services.
ByHow did this series, in which dastardly pensioner zombies feast on teenagers, get made?
ByThe New Statesman columnist and anarchist was a proponent of radical social change that put the most vulnerable first.
ByHer mind-expanding new novel Gliff draws battle lines between art, language and Big Tech.
ByAlso featuring She’s Always Hungry by Eliza Clark and Recognising the Stranger by Isabella Hammad.
ByContact zuzanna.lachendro@newstatesman.co.uk if you would like to be featured.
ByThis column – which, though named after a line in Shakespeare’s “Richard II”, refers to the whole of Britain –…
ByAnd I must admit: I envy them for it.
ByEnding a life must be a choice made between alternatives; not one taken because of a failure to provide proper…
ByIt is difference, not excellence, that is the most enjoyable aspect of the grape.
ByHalf a century ago, the art-rock band introduced the world to the vocoder. Their sound – and pop music –…
ByAfter the ruin of war, Britain helped build Europe’s institutions. In an unstable world, they are once again vital for…
ByKamala Harris’s bid for power is part of a long struggle against the politics of racism.
ByThe historian and author on the inaccuracy of the latest Napoleon film, gout pills, and the joy of writing.
ByAlso this week: reminiscing about print’s heyday and leaving technology at the theatre door.
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