The business-lounge intellectual
With his new book, the FT’s Martin Wolf wants to rescue capitalism. But is it worth saving?
ByNew Times,
New Thinking.
With his new book, the FT’s Martin Wolf wants to rescue capitalism. But is it worth saving?
ByThere can be more openness between us now. Growing up, we were trying to feign whiteness and scared of being…
ByIn his memoir Harry seeks renewal – but his exposé of the cruelty of royalty is driven by rage.
ByThis column – which, though named after a line in Shakespeare’s “Richard II”, refers to the whole of Britain –…
ByThe environmental researcher on the heroism of Simone Veil, AI art, and the unacknowledged threat of noise pollution.
ByPlease email comments@newstatesman.co.uk if you would like to be the New Statesman’s subscriber of the week.
ByIt’s bad enough that people I haven’t voted for come to power; do they have to barge their way into…
ByFans’ fixation on the concept of greatness has become an absurd identity politics.
ByIf she starts her own anti-establishment party, Sahra Wagenknecht could alter Germany’s political landscape.
ByA new poem by Matt Howard.
ByWrite to letters@newstatesman.co.uk to have your thoughts voiced in the New Statesman magazine.
ByFor a few days I try to continue with my trip, but I no longer care about water ceremonies and…
ByAfter months of turmoil the return to Westminster feels a bit muted – but back I go, well, as soon…
ByAlso featuring A Writer’s Diary by Toby Litt and a study of conducting by Alice Farnham.
ByHow a fraternal dispute became a full-blown existential crisis for the monarchy.
ByYour weekly dose of gossip from around Westminster.
ByThe former German chancellor’s short-termism created an unsustainable economic model. Will the UK avoid the same trap?
ByHelen Lewis’s Radio 4 investigation charts the rise of today’s tech-led snake-oil merchants.
ByThe Sixties icon, who would be turning 80 in January, belonged to an era when personal suffering was viscerally bound…
ByThe Shards, the author’s first novel in 13 years, is an Eighties-set autofiction thriller that plays on our cultural addiction…
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