Emma Thompson’s new film is an absurd view of what a middle-aged woman’s life is worth
In Good Luck to You, Leo Grande, Nancy says that paying for sex has been her only adventure in life.…
ByFilm reviews
Explore the world of cinema with our selection of film reviews, providing in-depth analysis, thoughtful critiques, and captivating insights into the latest releases and timeless classics.
Ninja Thyberg: “Instead of trying to erase the bad porn, I was like, ‘We need to do good porn!’”
The Swedish director of Pleasure was an anti-porn activist – until she saw how sex workers valued their “erotic capital”.
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My Name is Leon: a horribly preachy drama
This BBC film about a child dealing with racism in 1980s Birmingham promises real-world lessons but delivers saccharine platitudes.
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All My Friends Hate Me: a sharp swipe at class that doesn’t quite land a killer blow
Andrew Gaynord’s crisply British comedy takes the rural antics of Withnail & I and adds a horrific twist.
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Bergman Island seems intolerably meta – but it’s not just for cinephiles
Mia Hansen-Løve’s latest work is delightful and persuasive, and leaves you feeling better for having seen it.
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Alex Garland’s Men is a thesis on misogyny, masquerading as a movie
The film's 100 minute run time feels a whole lot longer with just the one idea behind it.
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The meaning of Taxi Driver
Impressions on re-watching Martin Scorsese’s classic 1976 film.
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The Quiet Girl is an artfully muted masterpiece
With his remarkable film about a timid child sent to live with relatives in rural Ireland, Colm Bairéad provides a…
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Terence Davies’s Benediction is a perfect portrait of an outsider
In this new biopic of the wartime poet Siegfried Sassoon, Davies beautifully renders, in quasi-autobiography, a life unredeemed.
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Laura Wandel’s Playground is a study on the cruelty of children
The writer-director's first full-length film takes a close look at bullying in a Belgian primary school.
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The Worst Person in the World is an exuberant portrait of a young woman flailing as she approaches 30
The third instalment in Joachim Trier’s Oslo trilogy is warm and fast-moving, with a whiff of the pop promo about…
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The Phantom of the Open is a very British tribute to failure
Mark Rylance is charming as the golf hoaxer Maurice Flitcroft, but there's not quite enough here to sustain a feature.
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Clio Barnard’s Ava & Ali is an endearing account of an unlikely romance in Bradford
This beautifully shot film is a British love story of two people who are drawn to one another despite their…
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Joanna Hogg’s The Souvenir Part II lacks the toxic glamour of the original
This was always intended to be a film in two parts, but the second installment, a Bildungsroman, is a tonal…
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Pablo Larraín’s Spencer is a bone-headed reassessment of Princess Diana
The grand biopic opts for heavy-handed symbolism over any grounding in reality.
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Rose Plays Julie is The Parent Trap with teeth
Christine Molloy and Joe Lawlor take a familiar long-lost-family story – and add a dark, vengeful twist.
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BBC Two’s Together is cheap and obvious pandemic piggybacking
In this tedious and excruciating film, Sharon Horgan and James McAvoy play a warring couple trapped together in lockdown.
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Ian Wright: Home Truths is an urgent film about the damaging, insidious nature of abuse
This documentary, following the former Arsenal footballer as he confronts the abuse he experienced as a child, is one of…
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Why Children of Men haunts the present moment
How Alfonso Cuarón’s 2006 dystopian masterpiece became the cultural exemplum of apocalypse, and a cardinal citation in the time of…
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Carl Franklin’s 1995 film Devil in a Blue Dress is a sexy, rich take on neo-noir
Why Devil in a Blue Dress should’ve been a hit.
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