Wicked is a super-sized, elaborate and hip hop-influenced take on the musical
The origin story of The Wizard of Oz’s Wicked Witch of the West arrives two decades after the stage show.…
ByFilm reviews
Explore the world of cinema with our selection of film reviews, providing in-depth analysis, thoughtful critiques, and captivating insights into the latest releases and timeless classics.
Gladiator II is a triumph
In this sequel, chock-full of fighting, Ridley Scott lets his appetite for elaborate action scenes run wild.
By
Paddington in Peru loses the magic of the first films
In this third instalment, the bear travels “home” – and the franchise’s feel-good, pro-immigration spirit vanishes.
By
Gabriel Sherman: “Donald Trump is older and less sane and angrier”
The screenwriter of the scathing biopic The Apprentice on provoking the wrath of the former president.
By
In Heretic, Hugh Grant is a bashful, disarming serial killer
The actor, now firmly in his villain era, is tremendous fun in this preposterous horror.
By
The myths of Blitz spirit
Steve McQueen’s new film suggests the Second World War was not simply a time of uncomplicated national unity.
By
Pedro Almodóvar’s conflict of interests
The Room Next Door resolves the Spanish director’s struggle between black comedy and bookish melodrama.
By
Woman of the Hour: Anna Kendrick’s incoherent true crime drama
Does this Netflix film have anything to say? It’s not clear what its parade of tragedy can tell us.
By
The Apprentice: a grotesque, compelling Trump satire
You may think you never want to see a film about Donald Trump. But this tale of his relationship with…
By
Timestalker’s cycle of suffering
This “reincarnation spoof” sees a woman endure the same horrors lifetime after lifetime. Sadly, it’s also painful viewing.
By
Francis Ford Coppola’s new film may be his greatest delusion
The script of Megalopolis is unspeakable, its tone baffling and its world makes no sense.
By
Firebrand is an unhistorical and unforgettable Tudor drama
Alicia Vikander and Jude Law excel in this retelling of Henry VIII’s marriage to Catherine Parr.
By
Sing Sing is a tender portrait of creativity behind bars
The film stars former inmates playing themselves as they stage a performance on the inside.
By
Widow Clicquot review: a sickly sweet champagne story
This is just the latest in a succession of self-congratulatory, syrupy brand movies.
By
Hollywoodgate is a glimpse of the Taliban at work
This revelatory film follows two soldiers in Afghanistan during the country’s regime change.
By
About Dry Grasses is quintessential slow cinema
This Turkish film is deeply challenging, even boring at times. But it is pretty much a masterpiece.
By
Twisters makes tornadoes great again
The sequel to the cult 1996 blockbuster Twister is saved by a charismatic performance from Glen Powell.
By
The Despicable Me phenomenon
How the hectic Minions franchise, optimised for a child’s attention span, became a blockbuster hit.
By
Yorgos Lanthimos’s Kinds of Kindness is grotesque
The director of Poor Things and The Favourite presents three nasty tales of domination and submission.
By
The Bikeriders looks cool – but feels pointless
Jeff Nichols’s study of Sixties biker gang culture is full of beauty, glamour and Austin Butler in a leather jacket.…
By