John le Carré, the great deceiver
The duplicity that defined his spy novels also enabled his relentless pursuit of sexual pleasure.
ByFiction reviews
Discover the best contemporary literature with the New Statesman’s expert reviews. From debut novels to short stories and literary veterans, get inspired here.
From Thurston Moore to Camilla Nord: new books reviewed in short
Also featuring The Book at War by Andrew Pettegree and a collection from the Complete Works Poets.
By
From Gordon Brown to Natalie Haynes: new books reviewed in short
Also featuring Family Meal by Bryan Washington and Pure Wit by Francesca Peacock.
By
From Duncan Hamilton to Lydia Kiesling: new books reviewed in short
Also featuring The Story of Scandinavia by Stein Ringen and Big Meg by Tim and Emma Flannery.
By
From Ben Lerner to Simon Heffer: new books reviewed in short
Also featuring Land of Milk and Honey by C Pam Zhang and Stay True by Hua Hsu.
By
Richard Osman’s bland Britain
How did the TV presenter’s terminally twee stories of death and Waitrose become the bestselling novels in the UK?
By
Anne Enright’s damaged lives
In The Wren, The Wren, the Irish author rigorously traces the line between love and trauma.
By
Goodreads is degrading our literary culture
Everyone can, and should, be a critic. But the reviews website is having a sinister effect on books.
By
Why literary snobs don’t get Bridget Jones
Moralising critics forget the importance of fiction holding up a mirror to society’s flaws.
By
Cormac McCarthy’s existential Westerns
In his career-defining Border Trilogy, the late novelist summoned the ghosts of America’s bloody history.
By
From the war in Ukraine to the life of Roger Deakin: new books reviewed in short
Also featuring Anna Metcalfe’s Chrysalis and Octavia Bright’s This Ragged Grace.
By
Catherine Lacey’s biography that isn’t
In inventing a figure who rubbed shoulders with David Bowie and Susan Sontag, the American novelist thrillingly subverts the conventions…
By
The best fiction books for 2023
The year’s publishing highlights, including new novels by Salman Rushdie, Diana Evans and Eleanor Catton.
By
Eleanor Catton and the problem with “literary thrillers”
Her new novel raises the question: is the genre code for a thriller that simply isn’t very thrilling?
By
Victory City: Salman Rushdie’s story factory
Rushdie’s new novel, completed before his attack, is a fable that displays his overweening faith in narrative.
By
From Cariad Lloyd to Ayòbámi Adébáyò: new titles reviewed in short
Also featuring Tomorrow Perhaps the Future by Sarah Watling and Away From Beloved Lover by Dee Peyok.
By
How The Last of Us turns the apocalypse into mindless entertainment
The latest show to profit from our obsession with dystopia reveals the limits of the genre.
By
From Don Paterson to Brigitte Reimann: new titles reviewed in short
Also featuring Pegasus by Laurent Richard and Sandrine Rigaud and Sensational by Ashley Ward.
By
Bret Easton Ellis’s death wish
The Shards, the author’s first novel in 13 years, is an Eighties-set autofiction thriller that plays on our cultural addiction…
By
Yiyun Li’s The Book of Goose: in the shadow of Elena Ferrante
This under-powered story of a morbid teenage friendship in rural France cannot avoid comparisons to the Neapolitan Quartet.
By