Laura Marling’s songs of experience
As the singer showcased her new album Patterns in Repeat at Hackney Church, the parallels across her work – and…
ByConcerts
Laufey at EartH: woozy and nostalgic love songs
The Chinese-Icelandic singer mixes classical and jazz influences in her old-fashioned take on pop.
By
Madonna’s greatest hits tour shows why she is still the Queen of Pop
Despite the lingerie and snogging, there is not much that remains shocking about the singer – except, perhaps, that she’s…
By
Inside the “psychopathic” battle for Taylor Swift tour tickets
Buying new SIM cards, taking time off work, and spending hours on hold: UK Swifties explain the all-consuming experience of…
By
Royal Blood should know by now a bad gig is never the crowd’s fault
The band threw a tantrum at Radio 1’s Big Weekend. But to good musicians indifference is an opportunity to prove…
By
Beyoncé’s Renaissance tour is a vast sci-fi spectacle designed for social media
This retrofuturist extravaganza, like all modern big gigs, is intended to look good on someone’s phone so they can prove…
By
A transcendent singalong with Bruce Springsteen in Rome
Also this week: great journalists remembered, and a duck called Puskás.
By
The Proclaimers are still Britain’s best male rock singers
At a recent gig in Leicester, the duo were just as much a juggernaut as they have always been.
By
The battle of the Dylanologists
As Bob Dylan tours the UK, his work is being embraced and interrogated by younger critics impatient with the “white…
By
Ticketmaster’s dynamic pricing “takes advantage” of music fans
Coldplay, Harry Styles and Bruce Springsteen have profited from ticket prices that rise with demand to many times more than…
By
The raucous return of Pussy Riot
As Vladimir Putin escalated his war the Russian punk rebels performed in Canterbury, urging him to “jump up into hell”.
By
Corporate culture is ruining live music
The rise of tiered ticketing, VIP packages and cordoned-off areas is destroying concerts. Just look at the Rolling Stones.
By
Why Grace Jones matters more than ever
At the 74-year-old’s Southbank Centre gig, it’s clear that the political and aesthetic reverberations of her art are still being…
By
The Berlin Philharmonic’s “The Golden Twenties” brings to life the city of that decade
From their plush "Digital Concert Hall" you can listen to Thomas Søndergård conduct the magnificent orchestra.
By
“There’s a fuck of a lot of people here!”: Tears for Fears at the O2 arena
“This is the biggest venue we’ve ever played in the UK!”
By