The mysteries of late style
Christopher Neve’s study of great painters reveals the risks and rewards of creating art at the end of life.
ByNew Times,
New Thinking.
Read all the latest reviews from New Statesman writers of biographies and memoirs.
Christopher Neve’s study of great painters reveals the risks and rewards of creating art at the end of life.
ByAlso featuring Crisis Actor by Declan Ryan and Women We Buried, Women We Burned by Rachel Louise Snyder.
ByAlso this week: awkward encounters at my book launch and Prince Harry takes on the Mirror.
ByAlso featuring Anna Metcalfe’s Chrysalis and Octavia Bright’s This Ragged Grace.
ByThe writer has become a national treasure, moral arbiter and begetter of biographies: do we need a new one?
ByJoanna Biggs’ A Life of One’s Own looks to the letters and journals of literary women for guidance. Can they…
ByMen at War, Luke Turner’s tender account of servicemen’s transgressive private lives, transforms our understanding of the Second World War.
ByBrilliant and eccentric, the Oxford philosopher spent his career grappling with fundamental moral questions.
ByAlso featuring Eve by Claire Horn and A Stranger in Your Own City by Ghaith Abdul-Ahad.
ByIn her work, the novelist developed a radical philosophy of relationships. In her life, she put it into practice.
ByA new biography shows how he began life as a revolutionary and ended it hosting the Queen Mother.
ByHis life was blighted by poverty, but his poetry made exhilarating connections between sex, faith and death.
ByBlake Morrison’s account of sibling tragedy passes its moral questions on to the reader.
ByIn her memoir Love, Pamela the model and actress reveals that despite the trauma and abuse she still sees her…
ByAlso featuring Tomorrow Perhaps the Future by Sarah Watling and Away From Beloved Lover by Dee Peyok.
ByAlso featuring Pegasus by Laurent Richard and Sandrine Rigaud and Sensational by Ashley Ward.
ByThe problem with prime ministers’ autobiographies. Plus: self-indulgent podcasts, perfect pianos and the genius of Vermeer.
ByThe memoir appears to have beaten growing “Harry fatigue”.
ByIt is right to condemn the writer’s violent chauvinism – but a literature that has lost the power to challenge is…
ByThroughout the book’s 400 pages runs a single theme: the need for closure after a lifetime of repressed trauma.
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