The Renaissance in drawing
Two exhibitions reveal how, for the great Renaissance artists, drawing was both a tool for making paintings and a form…
ByNew Times,
New Thinking.
Two exhibitions reveal how, for the great Renaissance artists, drawing was both a tool for making paintings and a form…
ByOrlando Whitfield’s All That Glitters is more than just a gossipy exposé of con artist Inigo Philbrick: it’s a nuanced…
ByIn the social media age, autobiographical works invariably end in harassment for the individuals depicted. Can real-life storytelling ever be…
ByThe most intriguing shows of the year, from the National Gallery at 200 to purple landscapes and charcoal heads.
ByThe infamous “pudding-faced” Droeshout portrait is widely agreed to be hideous and embarrassing. Is there more to it than meets…
ByHis more recent portraits reveal an artist whose skills are fading.
ByAmid Germany’s 20th-century upheavals, the expressionist’s art brought him both renown and peril.
ByThe picture suggests May’s desire to remain statesmanlike, regardless of the febrile times of her premiership.
ByHis lethally coherent worldview still turns reality into a farce.
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