Please, no more adaptations of Jane Austen
Do we really need the new Netflix version of Persuasion, which has seemingly confused Anne Elliot with Fleabag?
ByAnya Taylor-Joy
The plush overkill of Edgar Wright’s Last Night in Soho
This Sixties psychological horror is full of pieces that don’t quite fit, and an awful lot of neon.
By
Anya Taylor-Joy’s Emma: a leisurely, inoffensive take on Austen
The latest in a long line of adaptations of Austen’s novel doesn’t attempt anything too radical.
By