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23 January 2014updated 25 Apr 2014 4:22pm

How a musical epiphany saved Handel from ruin and despair

Handel did not praise his own works but there was one that he loved, Messiah, because in it he had redeemed himself.

By Stefan Zweig


Consuming passions: Handel’s appetite was as great as his talent, as depicted in Joseph Goupy’s etching The Charming Brute. Image: Bridgeman Art Library.

Stefan Zweig (1881-1942) was a prolific writer of fiction, journalism, biographies and plays. Born in Vienna to non-religious Jewish parents, he was a friend of Sigmund Freud, Richard Strauss and Theodor Herzl, among others. During the First World War, he became a pro-European pacifist; with the rise of Hitler, he fled first to England, then to New York and finally to Brazil, where he committed suicide with his wife in despair at world events. Zweig was fascinated by music and he provided the libretto for Strauss’s “Die Schweigsame Frau”, which, because Zweig was Jewish, was banned after four performances. Zweig also published a collection of “historical miniatures” about moments of genius and heroism, including this account of Handel’s composition of “Messiah”, printed here in a new translation – the first in over 70 years – by Anthea Bell.

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