Caryl Churchill’s Glass. Kill. Bluebeard. Imp. – intruiging, brilliantly performed plays
The 81-year-old dramatist’s taste for slyly shape-shifting theatre is on display in this quartet of four new works for the Royal…
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Caryl Churchill’s strange and brilliant play Top Girls is as relevant as ever
Caryl Churchill’s 1982 play Top Girls, newly revived at the National Theatre by director Lyndsey Turner, is a strange, brilliant thing. I…
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“Don’t break your leg!“: Let’s Eat Grandma’s anarchic, eccentric live shows
When it comes to live shows, Let’s Eat Grandma don’t mess around. Jenny Hollingworth and Rosa Walton, both 20, open…
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Anne Washburn’s Shipwreck asks: is it too soon to write a play about Donald Trump?
Plus: I’m a Phoenix, Bitch by Bryony Kimmings.
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Arthur Miller’s anatomy of a nation
Arthur Miller saw the Great Depression and the years after as a period of moral catastrophe. His understanding of American…
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A faintly surreal docu-drama: The American Clock at the Old Vic
Plus: Berberian Sound Studio at the Donmar.
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A-lister with a dildo: Cate Blanchett at the National Theatre
Plus: Six, the musical about Henry VIII’s wives.
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When We Have Sufficiently Tortured Each Other is S&M for Ocado customers
Cate Blanchett's National Theatre debut shows the difference between spank-me-harder clichés and words which are truly wounding.
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