If you want to meet beautiful women, carry a theatre programme around on the Tube
Wandering around London with a theatre programme marks you out as the kind of guy it’s OK to approach and…
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Theatre
Annie Baker’s The Antipodes: a masterpiece of overlapping parts
Baker has created a brilliantly naturalistic depiction of a meeting underscored by office politics.
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Why King Lear is the ultimate parallel of Brexit
Shakespeare’s tragedy shows how easily the bonds which held together communities, families and the state can fray — and how they…
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Don Pasquale at the Royal Opera House: a muted take on an old comedy
This production is exercise in style, some sort of post-modern universe where everything is signified but nothing means anything.
By![Donmar Warehouse’s [BLANK] skewers middle-class feminist benevolence](https://dl6pgk4f88hky.cloudfront.net/2021/06/2019_43_theatre.jpg "Donmar Warehouse’s [BLANK] skewers middle-class feminist benevolence")
Donmar Warehouse’s [BLANK] skewers middle-class feminist benevolence
Plus: The Old Vic’s Lungs.
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“I can accept my limits but I’ll push against them”: Aaron Simmonds on ambition and identity
The comedian discusses disability and the evolution of his act.
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New musical Islander is an enchanting tale of friendship and migration
Fresh from the Fringe, Islander at the Southwark Playhouse teeters on the line between reality and myth.
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Blood Wedding at Young Vic: a woozy, inky world
Entering the world of Blood Wedding is like stepping inside a Rembrandt painting.
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