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10 October 2018

The Pinter at the Pinter season already confirms the writer’s remarkable theatrical afterlife

Provocative tone and complex form triumph in new stagings of Harold Pinter’s 20 short plays.

By Mark Lawson

It’s common for the presence and reputation of a playwright to dip after death, with the luckiest getting a later rediscovery. But, since Harold Pinter’s obituary led the BBC TV evening news on Christmas Eve 2008, all of his full-length dramas have had major revivals in London or New York.

Stars attracted to the richly ambiguous parts that Pinter, an ex-actor himself, crafted included Timothy Spall as the passive-aggressive tramp in The Caretaker; Ian McKellen and Patrick Stewart as the duelling old men in No Man’s Land; Daniel Craig and Rachel Weisz committing adultery backwards in Betrayal. Restagings of early plays – The Birthday Party, The Homecoming and The Hothouse – brought younger audiences to the author’s dark comic wordplay and power struggles through the smart casting of screen celebrities such as Gemma Chan, John Simm and Pearl Mackie.

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