Lucia di Lammermoor: even a director with a feminist agenda can’t save her from her fate
This production at the Royal Opera House pushes the show’s reliance on its central character even further.
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Why Harry Styles fans are taking #BlackLivesMatter signs to his gigs
Black fans explain their movement to make Styles’s concerts a safe space for all.
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Bob Dylan and his vengeful, conservative God
The surprising thing about Dylan’s evangelical Christian period? It isn’t all bad.
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“It’s cool that some people hate my show”: St Vincent on fan backlash and Chinese massages
The singer messages me on Twitter the next day. “Dude!” she says, “I’m sorry I was a cock.”
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Why classical purists should start taking video game music seriously
The best music stays with you long after you finish playing.
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A line-by-line lyric analysis of Taylor Swift’s song Call It What You Want
Warning: this is very, very detailed.
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Why music and corporate restructuring have more in common than you’d think
A powerful New York management consultant turns her hand to composing.
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Through seven works in seven cities, how Europe bared its soul through opera
The V&A's exhibition is not only a celebration, but a cause for celebration.
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