Laura Veirs’ My Echo: poignant, cathartic indie-folk
Veirs is, quietly, one of the greatest living American songwriters.
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Beabadoobee’s Fake It Flowers: a near-flawless record of Y2K nostalgia
On her debut album, Beabadoobee proves her talent with complex songwriting that goes deeper than a new millennium aesthetic.
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Can Future Islands survive without a crowd?
The Baltimore band’s sixth album, As Long As You Are, finds them longing for the thrill of a live audience in…
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Melanie C’s new, self-titled album: emotionally mature electro-pop
The former Spice Girl’s new release combines empowerment pop with buoyant energy – and a few flat moments.
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Sufjan Stevens’ The Ascension: high-concept catastrophe music
On his disappointing eighth album, the American musician’s queries about faith, God and the state of the world are far…
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Imogen Heap: “I’m so frustrated with the music industry”
The musician and tech pioneer on why social media pushed her away from music, and how she found her way back.
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Personal Story: My failed music career
I started playing the piano aged four, and was told I had a talent. But when I studied music at…
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Katy Perry’s new album Smile: fun-loving but unoriginal pop
Pop has moved on from the bright-eyed days of 2008, while the Californian singer has not.
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