How I finally learned to love jazz music
Growing up in the Sixties, a child of the pop age, jazz barely grazed me. Now, I see it’s a…
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Why I broke up with Spotify
After years of relying on the music streaming service, I found its endless playlists were eroding my love of music.
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King Gizzard & the Lizard Wizard’s KG: sensitive microtonal psych-rock
The 16th studio album by the Australian six-piece, who have experimented in surfer rock, jazz and metal, reflects an entirely different way of…
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McFly’s Young Dumb Thrills: an artificially wholesome school run soundtrack
Noughties pop-punk boyband McFly, now in their thirties, return to music after a decade with the audio equivalent of a gratitude…
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Ronnie Scott understood that for some people music is the only outlet – so he opened a club
As I watch the documentary Ronnie's, I am reminded of the complicated man who brought the New York jazz scene to Soho.
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Ólafur Arnalds’s Some Kind of Peace: exciting, atmospheric classical-electronica
The Icelandic multi-instrumentalist’s latest record is his most vulnerable – and therefore most thrilling – yet.
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Glyndebourne in the pandemic proves that opera doesn’t need stuffy rituals
Watching The Magic Flute, I was unprepared for the emotion that would hit me at the curtain call.
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Ariana Grande’s Positions: playful, era-capturing R&B from one of our greatest living pop stars
On Positions, Grande moves seamlessly from character to character while maintaining her own highly specific brand.
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