Paul Morley’s A Sound Mind is an intimidating history of classical music
This is a collage of Morley’s life as a long-time music journalist, slightly shorter-time classical music advocate, and conspicuously mortal…
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Israel Nash’s Topaz: sun-baked country rock in need of some frankness
On his sixth album, the Americana musician subtly queries his place in a genre long associated with conservatism.
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“What does ‘old’ mean, anyway?”: Beverly Glenn-Copeland on finding acclaim in his seventies
The musician has been making futuristic music all his life, yet his songs have recently found a new audience with 20-and…
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Zara Larsson’s Poster Girl: pounding, charismatic hits from a Swedish pop prodigy
On her third album, the Swedish singer-songwriter Zara Larsson digs deeper into her electro sound.
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The Berlin Philharmonic’s “The Golden Twenties” brings to life the city of that decade
From their plush "Digital Concert Hall" you can listen to Thomas Søndergård conduct the magnificent orchestra.
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Danny L Harle’s Harlecore is a celebration of the club
On his debut record, the British electronic producer conjures an environment many of his listeners will have been pining after for eleven…
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How Chick Corea shaped a jazz generation
The pianist, who died in February, was one of the founding fathers of jazz fusion – a deeply misunderstood genre.
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Slowthai’s TYRON is not quite an apology record
Apologies have come to define Slowthai’s recent career, but his latest record tries to have it both ways.
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