Grim autopsies and heavy metaphors in Taylor Sheridan’s Wind River
Most of the dialogue would look good on a series of commemorative tea towels.
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The 12 most interesting films without a distributor at the BFI London Film Festival
From an Iranian documentary shot on a mobile to Michael Cera playing a journalist, here are the festival's unknown quantities.
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God’s Own Country is a love story for the Brexit times
A young Yorkshire farmer meets a Romanian labourer.
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No James Cameron, Sarah Connor in Terminator isn’t feminist
And neither is Ripley in Aliens.
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Detroit is a harrowing, relentless and intensely angry film – as it should be
Shortly after the first Molotov cocktail is lobbed, the city is engulfed in flames and fury.
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Annie (1982): a bizarre, patriotic portrait of capitalist white America
Featuring bizarre asides about Franklin D Roosevelt’s New Deal, Bolshevism, taxes, the Great Depression, and the commercialisation of radio.
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Final Portrait sketches Alberto Giacometti in the winter of his life
Giacometti’s life is glimpsed in revealing shards.
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The love affairs of Stan Laurel: “If I had to do it over again things would be different“
A romantic who craved stability, the English comedian Stan Laurel led a Hollywood love life as chaotic as his films’…
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