The Killing of a Sacred Deer is a repellent yet wonderful tale of revenge
Yorgos Lanthimos, director of The Lobster, returns with another sinister black comedy.
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Rewriting the Lion King so Beyonce’s Nala gets every single song
A charitable project by me.
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Taika Waititi: The Kiwi director’s path from low budget indie to Marvel blockbuster
Directing Thor: Ragnarok is a huge step from previous hits Hunt For The Wilderpeople and What We Do in the Shadows.
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Call Me by Your Name: an emotionally charged love affair taut with inner tensions
Luca Guadagnino is an intensely sensual director, but he knows how to undercut a moment.
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The casting of Chloë Moretz in I Love You, Daddy fetishises a female that doesn’t exist
The trailer for Louis CK’s new film is the latest iteration of a disturbing, misogynist trope.
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The Death of Stalin is The Thick of It in Communist Party clothing
Armando Iannucci’s film uses visual grandeur to heighten the petty, scabrous humour.
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George Michael’s Freedom: if only the film had more depth and grit
Where we could have done with a Simon Reynolds-style figure, we made do with a nodding Mark Ronson.
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Blade Runner 2049’s politics resonate because they are so perilously close to our own
The film's dystopian future doesn't seem all that far off.
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