Tehran Taboo’s Rotoscope tales of Iranian life help unpalatable reality cut through
Like Waltz with Bashir, the film repackages the familiar in a way that overcomes compassion fatigue.
ByNew Times,
New Thinking.
Like Waltz with Bashir, the film repackages the familiar in a way that overcomes compassion fatigue.
ByAccusations of domestic abuse, the cover implies, are dangerous – and a little sexy. Put a hat and some cowboy…
ByIn Paul Greengrass’s new film, the Anders Breivik trial becomes a metaphor for how the far right today is using…
ByThe template for Bradley Cooper’s musical film bestows all dramatic opportunities on to the male role.
By“Among producers, commissioners, white writers and casting directors, East Asians are still not perceived as being part of British society.”
ByClose finds so many variations on the tight smile of the long-suffering spouse.
ByIt’s creepy and claustrophobic, but a depressing and bitter lead (Domhnall Gleeson) robs the film of the electrical charge vital…
ByFrom enigmatic Japanese love stories to the comic side of a one-woman show.
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