Is Netflix killing cinema?
Some claim the streaming platform represents cinema’s slow death march, while others argue the backlash is simply cultural elitism from…
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“So that’s what an upset looks like”: Both Olivia Colman and Green Book triumphed at the Oscars
I was glad the wrong film won. At least it shook things up.
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Capernaum follows the forgotten street kids and scapegraces of Beirut
The film uses an inexperienced cast to depict life on the margins.
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Swedish troll fantasy Border is a prosthetic masterpiece
Naturalistic makeup gives weight and potency to Ali Abbasi’s touching fantasy about a troll who polices the Swedish border.
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The story behind Mektoub, My Love may be more interesting than anything which appears on screen
Abdellatif Kechiche’s follow-up to Blue is the Warmest Colour is proving to be just as controversial as his last film.
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What On the Basis of Sex gets right – and wrong – about internet hero Ruth Bader Ginsburg
You could play a round of cliché bingo to the biopic, but there is a dark side to lionising the US…
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Rosamund Pike gives a force-of-nature performance in A Private War
Pike’s tenacity, swagger and depth are astonishing.
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The Oscars last went hostless in 1989. It ruined a man’s career
“More than a billion and a half people just watched that. And at this very moment they’re trying to make…
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