Anya Taylor-Joy’s Emma: a leisurely, inoffensive take on Austen
The latest in a long line of adaptations of Austen’s novel doesn’t attempt anything too radical.
ByNew Times,
New Thinking.
The latest in a long line of adaptations of Austen’s novel doesn’t attempt anything too radical.
ByA new film on the Soviet-era tragedy resonates powerfully in an age of political deceit.
ByParasite works as entertainment and analysis, treat and treatise.
ByDoes this black and white film add up to anything more than a sustained stylistic experiment?
ByArmando Iannucci’s adaptation finds joy, even if it loses some of the darkness of the novel.
ByEvery year, awards season seems more dated than ever, and 2020 is no exception.
ByEntrusting a film about the exploitation of women to the director of the Austin Powers trilogy was a risk scarcely…
ByFrom the welcome shout-outs to the perverse omissions.
By