Film

Paddington in Peru loses the magic of the first films

In this third instalment, the bear travels “home” – and the franchise’s feel-good, pro-immigration spirit vanishes.

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Sean Baker’s film, in which an escort meets a wealthy client, is no Pretty Woman. It is much darker, and…

By Megan Nolan

The screenwriter of the scathing biopic The Apprentice on provoking the wrath of the former president.

By Megan Gibson

The actor, now firmly in his villain era, is tremendous fun in this preposterous horror.

By Pippa Bailey

Steve McQueen’s new film suggests the Second World War was not simply a time of uncomplicated national unity.

By Gary Younge

As another former teen idol’s story ends in tragedy, we must ask: should we let children become famous?

By Sarah Manavis

The Room Next Door resolves the Spanish director’s struggle between black comedy and bookish melodrama.

By Leo Robson

Does this Netflix film have anything to say? It’s not clear what its parade of tragedy can tell us.

By Rebecca Liu