Scrapper is a sickly sweet father-daughter comedy
In Charlotte Regan’s playful but twee debut, a fiercely independent 12-year-old is reunited with her absent young dad.
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Why Barbenheimer won’t save cinema
July’s blockbusters made box office records – but the industry’s crisis is only deepening.
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Lie With Me is a wildly romantic story of lost love
Olivier Peyon’s new film, adapted from a bestselling gay romance, knows how an early relationship can determine a life.
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In defence of selling out
A slew of indie directors have taken on blockbusters, from Greta Gerwig to Ben Wheatley. Have they traded their credentials…
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A strategic analysis of Barbie
The ideological hegemony and failed revolution of Barbieland.
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We must resist the hype machine
Our critical culture is grossly overinflated with positive and promotional content. But popular is not always best.
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Kevin Spacey’s last stand
In his films, he acted like he had a secret. But in court facing criminal charges relating to his sex…
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Christopher Nolan: the last Tory
The director is a mass entertainer with an elitist disdain for the masses. In his films, order and hierarchy reign…
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