Cat Person is a lesson in how to ruin a great story
Susanna Fogel’s take on the viral New Yorker story reveals the dangers of lazy adaptation.
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Killers of the Flower Moon is Martin Scorsese at his best
This late, great Western is a powerful study of greed, betrayal and evil.
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How streaming ate itself
The Hollywood strikes were just one symptom of a media model consumed by its own greed.
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Maggie Smith steals the show in The Miracle Club
The 88-year-old actress is a delight in this Irish film – conveying so much humour, and contempt.
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Why make a film about the BlackBerry?
In Matt Johnson’s film about the vanished electronic device, we all know what’s to come: the iPhone.
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Ken Loach’s turn to sentimentality
In the 87-year-old director’s new film The Old Oak, wishful liberal thinking comes at the cost of plausibility.
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Dumb Money is a monument to American greed
Craig Gillespie’s tale of the GameStop “short squeeze” shows how little amateur investors have learned.
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The Kenneth Branagh-Agatha Christie cinematic universe
In his third reinvention of Hercule Poirot, Branagh lends him new substance, a new moustache – and a new story.
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