New Times,
New Thinking.

  1. Culture
  2. Film
15 January 2020updated 30 Jul 2021 11:33am

Established white men dominate awards season again. Is it a surprise?

Every year, awards season seems more dated than ever, and 2020 is no exception.

By Anna Leszkiewicz

Every year, awards season seems more dated than ever, and 2020 is no exception. The most prestigious awards bodies have opted to recognise established white, male figures at the expense of the diverse list of directors and performers of films like Atlantics, The Farewell, Hustlers, Booksmart, Portrait of a Lady on Fire and more.

The films with the most nominations are Martin Scorsese’s story of ageing hitmen, The Irishman; Quentin Tarantino’s outlandish reimagining of the Manson murders, Once Upon a Time… in Hollywood; Sam Mendes’s war film 1917 (each received nine or ten nominations from both the Oscars and the Baftas); and Todd Phillips’s controversy-courting, blood-spattered Joker (11 noms from both awards bodies).

Content from our partners
Antimicrobial Resistance: Why urgent action is needed
The role and purpose of social housing continues to evolve
More than a landlord: A future of opportunity
Subscribe to The New Statesman today from only £8.99 per month