Eleanor Catton and the problem with “literary thrillers”
Her new novel raises the question: is the genre code for a thriller that simply isn’t very thrilling?
ByNew Times,
New Thinking.
Her new novel raises the question: is the genre code for a thriller that simply isn’t very thrilling?
ByThe editor and translator who brought Elena Ferrante’s Neapolitan Quartet into English on language and the importance of reading widely.
ByAnatoly Kuznetsov’s classic account of the 1941 massacre of Ukrainians is republished as Kyiv suffers the ravages of war again.
ByThe British science writer argues that patriarchy is newer and more fragile than we think.
ByAlso featuring Owlish by Dorothy Tse.
ByLeah Hazard’s new book shows how this complex, life-giving muscle has been maligned and misunderstood.
ByThe Canadian psychologist's quest for order is thwarted by the tragicomedy of his own life.
BySanitising the writer’s legacy may help him remain profitable – but his books can’t be easily cleaned up.
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