New Times,
New Thinking.

  1. Culture
  2. Books
6 March 2019

Why are we so worried about “Instapoetry”?

The legitimacy of “Instapoetry” has long been fiercely debated: but the rise of the term has sparked a fragmented critical conversation. 

By Anna Leszkiewicz

When he was 31 years old, Robert Macias was working as an art director for the TV and digital media company Univision in its “content creation facility” in Miami. Macias, the son of Colombian parents and a graduate who majored in digital communication and media, oversaw projects in marketing and adver-tising. He worked with brands including McDonalds and Kellogg’s, creating “visually compelling and engaging interactive experiences for the web”.

Now, you’re more likely to know Macias as r.m. drake, the New York Times-bestselling poet with 1.9 million followers on Instagram. He has published 14 collections of poetry, has a number of celebrity followers, and his poems have been repeatedly shared by the Kardashians. While working at Univision, Macias wrote in his spare time. In 2012, he started sharing his work on Instagram – taking short excerpts, typing them on to handmade paper with his 1940s Royal typewriter in lower case, and signing off with “r.m. drake”. He would photograph the page and post the result, such as: “the best kind/of humans are/the ones who/stay”. By the end of 2014, he had over half a million followers and quit his job to write full time.

Subscribe to The New Statesman today from only £8.99 per month
Content from our partners
How drones can revolutionise UK public services
Chelsea Valentine Q&A: “Embrace the learning process and develop your skills”
Apprenticeships: the road to prosperity