Philip Guston’s American monsters
His 1960s paintings of Ku Klux Klansmen confront the banality of evil – and retain their power to shock.
ByNew Times,
New Thinking.
His 1960s paintings of Ku Klux Klansmen confront the banality of evil – and retain their power to shock.
ByThe stock-in-trade of the 76-year-old’s long career is endurance mixed with pain: something she demands of her audience, too.
ByWhere Rembrandt painted introspection, the Haarlem portraitist showed people as social creatures.
ByThe picture suggests May’s desire to remain statesmanlike, regardless of the febrile times of her premiership.
ByWhy a church in Harlow New Town has been recognised for its architectural importance.
ByA new exhibition at the Fry Gallery in Saffron Walden shows how the group painted the uncertainties of the mid-century…
ByFifty years after the artist’s death, the cult of genius that hid his flaws offers less protection.
ByChristopher Neve’s study of great painters reveals the risks and rewards of creating art at the end of life.
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