The trials and torments of Domenichino
For the timid 17th-century artist, painting light-hearted landscapes was a way of escaping his persecutors.
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New Times,
New Thinking.
For the timid 17th-century artist, painting light-hearted landscapes was a way of escaping his persecutors.
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A 14th-century hunting manual offers a vision of the ideal relationship between man and nature.
ByJacques-Louis David painted his only landscape as the guillotine loomed over him.
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