New Times,
New Thinking.

  1. Culture
7 October 2020updated 02 Jan 2025 11:44am

The brilliance and brutality of Lucian Freud

Freud could be selfish, amoral and cruel. But he lived and painted with feverish intensity. 

By Andrew Marr

In the early 1970s, Lucian Freud’s most important model was Jacquetta Eliot, then the wife of the Earl of St Germans. She and the painter were conducting a passionate affair. Freud wanted a child with her and encouraged her to stop using contraception. In 1971, Freddy Eliot was duly born. But few of Freud’s affairs lasted very long. All Jacquetta asked for was that he write her a letter for the future, telling the baby that he had been wanted. He did so. And then, William Feaver tells us early in this book, “after their break-up he asked for it back”.

What? One theme in this remarkable biography, based on hundreds of hours of conversation between Feaver and Freud, is the painter’s dawning realisation that, even as he opens himself up, he absolutely doesn’t want his biography to be written after all… at least not until he is safely dead. He angrily warns off other writers and protects his privacy as if living in a barbed wire fortress. Well, one can see why.

Subscribe to The New Statesman today from only £8.99 per month
Content from our partners
The role and purpose of social housing continues to evolve
More than a landlord: A future of opportunity
Towards an NHS fit for the future
Topics in this article :