New Times,
New Thinking.

  1. Culture
16 January 2018updated 09 Sep 2021 5:51pm

The free-wheeling life and wild, weird fiction of the cult 1960s author Ann Quin

In her writing, as in her life, Quin was drawn to experiences of difference, extremity and disorientation.

By Jennifer Hodgson

Ann Quin was of a rare breed in British writing: experimental, working class and a woman. The author of four novels and a prolific writer of short stories and fragments (as well as memoir, poetry, and radio and television plays), she was born in Brighton in 1936 to what used to be called an unmarried mother. In “Leaving School – XI”, a piece of memoir-writing, she describes her “sense of sin” and “great lust to find out” that took her to London, where she worked as a secretary by day and wrote her strange, singular novels by night – her typewriter clattering away into the early hours.

A newspaper profile from 1965 describes her “marvellously cluttered” bed-sitting room in Notting Hill Gate. The walls are a pasted-up montage of torn pages from magazines and art postcards – painters, playwrights, French film stars. The shelves teem with paperbacks; there’s her typewriter, of course, and a collection of esoteric knick-knacks.

Subscribe to The New Statesman today from only £8.99 per month
Content from our partners
The role and purpose of social housing continues to evolve
More than a landlord: A future of opportunity
Towards an NHS fit for the future