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12 January 2016

Stiff upper lips: an English history of emotion

Two new books chart our changing feelings around feelings.

By Erica Wagner

Helen Maria Williams observed the French Revolution at first hand. A poet, essayist and novelist known for her support of radical causes, she entertained the likes of Thomas Paine and Mary Wollstonecraft in her salons. Among the things she perceived, in her accounts of political turmoil across the English Channel, were differences in national character when it came to expressing emotion.

“You will see Frenchmen bathed in tears at a tragedy,” she wrote in 1792. “An Englishman has quite as much sensibility to a generous or tender sentiment; but he thinks it would be unmanly to weep; and, though half choaked with emotion, he scorns to be overcome, contrives to gain the victory over his feelings, and throws into his countenance as much apathy as he can well wish.”

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