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1 September 2015updated 03 Sep 2015 10:54am

Why can’t we stop for death?

The Black Mirror and The Worm at the Core reveal the human obsession with, and denial of, our mortality.

By John Gray

When he was entering what he knew would be the final stage of his terminal illness, Bob Monkhouse used to joke that the terrible thing about dying was how stiff it left you feeling the next day. There is something pleasantly cavalier in the comedian’s quip. Why make a tragedy of something that will happen to us all? Perhaps we’d be wiser if we didn’t think of death at all, but instead – as the philosopher Spinoza recommended – only of life. But that kind of wisdom seems to be beyond our capacity. The human preoccupation with death is pervasive and universal, and every society offers remedies for the anxiety that the fact of mortality evokes.

Religions have their afterlives, while secular faiths offer continuity with some larger entity – nations, political projects, the human species, a process of cosmic evolution – to stave off the painful certainty of oblivion. In their own lives, human beings struggle to create an image of themselves that they can project into the world. Careers and families prolong the sense of self beyond the grave. Acts of exceptional heroism and death-defying extreme sports serve a similar impulse. By leaving a mark, we can feel we are not just fleeting individuals who will soon be dead and then forgotten.

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