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21 November 2013

In the Critics this week

In the Critics section of this week's NS, a host of contributors tell us their favourite book of the year, Andrew Harrison explains the politics of Doctor Who and Rachel Cooke is enamoured by Last Tango in Halifax.

By Critic

This week’s issue of the New Statesman begins with the “Books of the year”. Contributors and friends of the publication have been asked to choose their favourite reading from 2013. We feature contributions from John Gray, Ali Smith, Ed Balls, Stephen King, Rachel Reeves, Sarah Sands, William Boyd, Alan Rusbridger, Lucy Hughes-Hallett, Simon Heffer, Andrew Adonis, Craig Raine, Felix Martin, Frances Wilson, John Burnside, Jesse Norman, Alexander McCall Smith, Richard Overy, Jason Cowley, Mark Damazer, Lionel Shriver, Jemima Khan, Geoff Dyer, Laurie Penny, Vince Cable, Alan Johnson, Leo Robson, Jane Shilling, John Bew, Ed Smith, Richard J Evans, David Baddiel, Michael Rosen, John Banville, David Shrigley, Chris Hadfield, Tim Farrin, Toby Litt, David Marquand, Robert Harris, Michael Prodger, Michael Symmons Roberts and Sarah Churchwell.

Have you ever wondered about the politics underlying Doctor Who? It may not be as simple as you think. In fact, it may not even be a singular political message, as Andrew Harrison explains: “Doctor Who has had plenty of nasty things to say about our society over the years but the politics and ethics of its hero has proved as malleable as its core cast.” Harrison traces 50 years of Whovian politics and assigns its political randomness to the constant reinvention of its creative team and authorship. This is a show that isn’t afraid to discuss apartheid, Thatcherism, depersonalisation through technology, tax worries and liberal interventionism. In its modern form the show is “more personal, less didactic but alive to the notion that the personal is political.” So Christopher Eccleston’s Doctor is a commendation of the common people and David Tennant’s Doctor shows that “sometimes the solution is worse than the problem – a very Noughties fate.” Nonetheless, it remains that the Doctor is “the last great Enlightenment figure: egalitarian, ever curious and dedicated to reason and principle that the sonic screw-driver is mightier than the sword.”

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