The Pan-Asia Film Festival, now in its fifth year, starts this Wednesday (6 March). The festival seeks to showcase Asia’s most exciting new cinematic productions, spanning countries from Japan to Iran.
There are 12 films competing for the Inaugural Best Film Award. From satires and horror films, shorts to animation, festival director Sumantro Ghose, along with guest judges Nikki Bedi and Hardeep Singh Kohli, will have a challenging decision on their hands.
Some highlights
Taiwanese director Yang Ya-Che takes the all too familiar love triangle in a new direction in his 105 minute film GF*BF(2012). Set in Taiwan, and focusing on the democracy movement of the 1980s and 1990s – a period of immense social and political transformation – protagonists Mabel, Aaron and Liam’s shifting emotional loyalties form the basis of a complex and ambitious plot. GF*BF transports us to selected chunks of this decade in an attempt to convey the entanglement of political transformation and personal development. GF*BF has been chosen for the opening night gala held at Cineworld Haymarket in London (Wednesday 6 March, 6.30pm).
From Iran comes Nahid Ghobadi and Bijan Zamanpira’s satirical debut feature 111 Girls (2012) which describes the journey of an Iranian diplomat to Kurdistan after receiving a letter threatening the suicide of 111 young women in protest at conditions in their village which have rendered them spinsters. With their fathers and brothers having either died or disappeared, and suitable men hard to come by, these women address the president with a four-day ultimatum stating they will jump to their death unless provided with an eligible suitor. The eccentric premise of this film is inspired by Kurdistan’s present situation. It is characterised by notably powerful visual imagery, shifting from dreamlike sequences to Beckett-esque dark humour. 111 Girls will premiere at Cine Lumiere in London on Wednesday 13 March at 8.30pm.
Thailand’s Pen-ek Ratnaruang has devised a unique fusion of spirituality and film noir thriller in his film Headshot (2011). Based on the story of an honest policeman turned angel of vengeance, the film follows his quest to balance society’s moral compass. An accident during an altercation leaves the protagonist literally seeing the world upside down. The unique camera positioning used to elucidate the result of the accident is an effective vehicle for combining Buddhist themes of karma, rebirth and redemption with stylistic film noir tropes of spatial disorientation and a stark contrast between light and shadow. Headshot is showing at the ICA in London on Tuesday 12 March at 8.30pm.
A selection of short films from Hong Kong’s Fresh Wave Film Festival – a centre for cutting-edge film production – will also be shown for the first time on London’s screens under the title Fresh Wave Shorts. Fresh Wave Shorts will be screened at the ICA on Thursday14 March at 6.30pm.
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