Adolescent masculinity is a puzzle much older than smartphones
What Stand by Me reveals about boyhood, and what Martin Amis and Julian Barnes taught me about life at the New Statesman.
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Tom Gatti
Tom Gatti is the acting editor of the New Statesman
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Could it be magic?: Inside Britain’s boyband machine
The 90s belongs as much to boybands as it does to Britpop.
How Paddington became the spokesbear for Britain
and one of the most commercially successful characters in the world.
The politics of faith: Britain’s changing relationship with Christianity
Is the Church experiencing an existential crisis?
Spotify Wrapped can never trump the mixtape
Every Christmas, I make my own end-of-year playlist – a small act of resistance to outsourcing one’s taste to…
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Autobahn at 50: How Kraftwerk defined modern music
and created a new and optimistic vision of the future.
Samantha Harvey: “political choices are sculpting the surface of the earth”
The Booker prize winner says Elon Musk's "individualistic" future is "problematic in all sorts of ways".
How anger defined 2024
Welcome to the age of rage.
Rachel Cusk wins the 2024 Goldsmiths Prize for “ferociously illuminating” novel Parade
The award for inventive fiction goes to a book replete with ideas about art, literature and freedom.
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