The photo that shaped me: Olivia Laing on Annie Leibovitz’s “The Girls”
I’ve had a copy of this photo of Tony Curtis and Jack Lemmon on my desk for years. When I got married, I dug it out.
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Olivia Laing
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Conflict Is Not Abuse: why do we have a tendency to overstate harm?
Sarah Schulman's book concludes that learning from conflict can be done, though this may mean redefining safe spaces.
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From zombie parades to Stranger Things: why is our culture obsessed with monsters?
“A monster is a fear assuming a form” is a pretty neat definition with which to embark on a…
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Mudlarkers, cocklers, and artists: discover the Thames Estuary with Rachel Lichtenstein
Estuary: Out from London to the Sea takes the reader on a journey through a space that can be lethal…
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Everyone Is Watching asks us to question who really makes a city
Megan Bradbury's novel of derelict New York of the 1970s was generative even as it was falling apart, inspiring artists…
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A Martian up a ladder throwing paint at a canvas
Bowie never stopped collaborating, never stopped travelling between media, walking through walls with a light-footedness that few have ever…
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I Love Dick is an assault on power – especially the oblivious kind
At the core of Chris Kraus' I Love Dick is the question: what does it mean to be an intelligent and ambitious…
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On the threshold: The Early Stories by Truman Capote
A new collection offers an intriguing glimpse of Capote as a boy: precocious, provocative, spirited and strange, a “pocket Merlin” spinning tall tales.
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Edmund de Waal’s The White Road follows the journey of creativity
White is a dangerous colour – and de Waal's journey shows the human cost of porcelain.
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