Barney Horner

Barney Horner is a sub-editor for the New Statesman.

Neel Mukherjee: “Isn’t all writing a form of appropriation?”

The Goldsmiths Prize-shortlisted author on reclaiming the political novel, the chimera of choice under late capitalism, and Nicki Minaj.

By Barney Horner

By Harry Clarke-Ezzidio, Barney Horner, Zuzanna Lachendro and Nicholas Harris

By Michael Prodger, Zuzanna Lachendro, Megan Kenyon and Barney Horner

By Finn McRedmond, Barney Horner, Michael Prodger and Will Dunn

By Michael Prodger, Pippa Bailey, Barney Horner and Megan Gibson

All Articles

Brentford FC couldn’t outspend their Premier League rivals, so they decided to out-think them.

By Barney Horner

Also featuring Sunken Lands by Gareth E Rees and The Spinning House by Caroline Biggs.

By Michael Prodger, Pippa Bailey, Barney Horner and George Monaghan

Also featuring a lost memoir by Harry Edward and The Painter’s Daughters by Emily Howes.

By Harry Clarke-Ezzidio, Barney Horner, Ellen Peirson-Hagger and Michael Prodger

Also featuring Spent Light by Lara Pawson and Moral AI And How We Get There.

By Barney Horner, Will Dunn, Michael Prodger and Tom Gatti

Also featuring My Friends by Hisham Matar and Veiled Threat by Nadeine Asbal.

By Michael Prodger, Ellen Peirson-Hagger, Megan Gibson and Barney Horner

Also featuring Tremor by Teju Cole and A Woman I Know by Mary Haverstick.

By Barney Horner, Pippa Bailey, Matthew Gilley and Ellen Peirson-Hagger

Also featuring Peter Cowie’s biography of Ingmar Bergman and Stuffed by Pen Vogler.

By Megan Kenyon, Michael Prodger, Christiana Bishop and Barney Horner

Also featuring Alexandria by Islam Issa and The Factory by Hiroko Oyamada.

By Michael Prodger, Megan Gibson, Anoosh Chakelian and Barney Horner