How true crime became “victim-centred”
The genre can no longer justify itself in terms of entertainment value alone. Enter the ubiquitous invocation of the victim.
By
Francisco Garcia
Latest articles
All Articles
The rise and fall of the Great British gangster memoir
How the popularity of true crime ended the golden era of self-consciously hammy autobiographies by reformed East End criminals.
By
“Scottish writers are superior by far”: James Kelman on the Booker, class and literary elitism
In 1994, working-class Scottish novelist James Kelman won the Booker Prize, scandalising the establishment. Twenty-five years later, the outrage still…
By