On 19 March 2003, we were on the roof of the Zanón ceramic tile factory, filming an interview with Cepillo. He was showing us how the workers fended off eviction by armed police, defending their democratic workplace with slingshots and the little ceramic balls normally used to pound the Patagonian clay into raw material for tiles. His aim was impressive. It was the day the bombs started falling on Baghdad.
As journalists, we had to ask ourselves what we were doing there. What possible relevance could there be in this one factory at the southernmost tip of South America, with its band of radical workers and its David and Goliath narrative, when bunker-busting apocalypse was descending on Iraq?
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