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11 January 2017updated 02 Aug 2021 10:24am

The Worst Witch is back – and it’s as subtly feminist as ever

The Worst Witch is, essentially, a story aimed at bookish young women that deals with imposter syndrome.

By Anna Leszkiewicz

If you’re a woman under 50, the name Mildred Hubble probably means something to you. Jill Murphy wrote her first book, The Worst Witch, when she was just 18. First published in 1974, it captivated audiences with its story of a bumbling young girl trying to scrape through her magical education. Perhaps your imagination was first caught by the books, with their descriptions of Miss Cackle’s Academy for Witches, which “stood at the top of a high mountain surrounded by a pine forest” and “looked more like a prison than a school, with its gloomy grey walls and turrets,” and the students themselves “dressed in black gymslips, black stockings, black hobnailed boots, grey shirts and black-and-grey ties”.

Or perhaps it was the Nineties TV show that you really remember, starring Georgina Sherrington as Mildred, practically falling over her incredibly long plaits, and Felicity Jones as a deliciously posh and evil Ethel, Mildred’s long-standing nemesis.

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