Listening through my father’s ears
The bond between me and my dad is too deep for words – but music comes close to expressing it.
By
Kate Mossman
Kate Mossman is a senior writer at the New Statesman.
Latest articles
Features on
All Articles
Sam Fender’s politicised rock
The North Shields artist’s third album, People Watching, shows the musician continues to find inspiration in his troubled roots.
By
Shon Faye and the problem of love
In this memoir-cum-manifesto, the author explores the politicised nature of love – and why it seems to elude us.
By
The Prince Charles Cinema and the death of the West End
No city has as flagrant a disregard for its own culture as London.
By
The Times They Have a-Changed
Where is the protest song now?
The Bob Dylan mystery machine
In A Complete Unknown, director James Mangold and actor Timothée Chalamet present Dylan as an enigma – a mythology…
By
Paul McCartney at the O2 Arena: greatness, with a shrug
Even at 82, an apparent effortlessness powers his set: the 33 songs come short and fast as bullets.
By
Elton John’s The Devil Wears Prada musical can’t improve on the film
The songs don’t stick, and the fashion is more The Only Way Is Essex than made in Milan.
By
John Simpson: “No matter the danger, I wanted to strut my stuff”
At 80, the broadcaster reflects on his favourite dictators, being tortured, why Trump is “so distasteful”, and the damage…
By