Apocalypse now in New York
I told myself I wouldn’t be as shocked and disappointed as I was in 2016. But I was. Also this week: American power brokers and music’s…
By
Erica Wagner
Erica Wagner is a New Statesman contributing writer.
Latest articles
All Articles
Sebastian Junger’s chronicle of a death deferred
The American writer’s knowledge of war’s random violence did not prepare him for a profound encounter with mortality.
By
Paul Auster’s literary legacy
The novelist, who has died at the age of 77 in Brooklyn, leaves behind a body of work haunted…
By
Salman Rushdie: “The world has abandoned realism”
The novelist on the threat to free speech, facing his attacker, and why writing Knife gave him back “the…
By
Escape from the oldest hatred
In Rachel Cockerell’s Melting Point, the forgotten story of America’s Jewish homeland sheds light on the tragedies of the…
By
The intricate art of AS Byatt
Both playful and serious, and more European than British, her work made me determined to be a novelist.
By
Anne Enright’s damaged lives
In The Wren, The Wren, the Irish author rigorously traces the line between love and trauma.
By
The high plain style of Cormac McCarthy
The late American novelist wrote with a strange and streamlined grandeur, and sounded like nobody else.
By
Losing the Wager
In his gripping new book, David Grann reveals the imperial rivalry and hubris that lay behind an 18th-century mutiny.
By