New Times,
New Thinking.

  1. Politics
2 July 2014

Laurie Penny on the feminist writer’s dilemma: how to write about the personal, without becoming the story

In five years as a columnist and com­mentator who also happens to be young and female, I have lost count of the times I have been encouraged by editors to write about being a woman, in a way that is “provocative” without really challenging sexism.

By Laurie Penny

Why is women’s writing invariably reduced to the personal, or dismissed as “confessional”? This week, my book Unspeakable Things is published in the UK and in the standard set of interviews you do when you have a book out – in which you turn up in a clean T-shirt and try not to sound stupid – that’s the one question that has come up every time. Why do you write about “personal issues”? Why do you include your own experiences when you speak about sex, power and politics – and such intimate experiences, too? Why do you talk about addiction and date rape and television? Aren’t you being too “provocative”? Aren’t you being too “confessional”, as women always are?

The first point is that when men write about their experiences in a political context, it’s never called “confessional” – it’s just “literature”, or a “memoir”. The second is that male political experience is never coded as male – it’s just universal truth.

Subscribe to The New Statesman today from only £8.99 per month
Content from our partners
An old Rioja, a simple Claret,and a Burgundy far too nice to put in risotto
Antimicrobial Resistance: Why urgent action is needed
The role and purpose of social housing continues to evolve