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Catching the last tram home

John Pilger

Published 21 February 2008

Beyond today's bathers, untanned and often fat, there is a glimpse of the down-at-heel city that Sydney was: the same peeling paint and worried eyes of refugees

Perhaps journalism, for me, began on a Bondi tram on a Saturday. This was the day Bondi's adult males would vanish. They would put on narrow-brimmed panama hats and head for the races at Randwick or The Hill at the Sydney Cricket Ground. Or they would go direct to long-tiled pubs called the Royal and Tea Gardens and Billy the Pigs, and to the Returned Services League clubs where the "Last Post" was played every sunset, straight after the chook raffle. It was a joyful exodus. I would watch as the men packed the toastrack trams that had running boards and swung perilously at speed and had run over two of my dogs. My ambition was to work the trams.

It was not that I was unhappy delivering newspapers piled in a fruit box that ran on ball bearings, hauling it along streets of liver-bricked flats that stank of the daily cabbage quota. The trick was bowling a rolled-up Australian Women's Weekly, a formidable missile, so that it missed the milk cans, some with lace doilies, and the dog shit. It was hard. No one applauded and a lot complained. But on the trams it was different; this was the glamour job held by newspaper-boys who were not boys. They wore big old sandshoes and had roll-your-owns permanently stuck to nicotine-stained lips; and they leapt on the running boards between Waverley cricket oval and Nick the fruitologist's, and when the tram was belting along they leapt off it like skydivers. They never hesitated and they had style. On Saturdays, when they sold the morning editions of the evening papers, the Sydney Sun and Mirror, they yelled out, "Hereyar, Sunormirror, all the starters and riders and somethingtasiton."

I walked along the Bondi tram route the other day. The trams are long gone, but not their phantoms. I started down at the beach, where I had begun to find my freedom climbing pyramids of green rolling waves, or on lascivious business thereabouts. In tight-lipped times, beaches provided our hedonistic alter egos. In Sydney, their uniqueness is that they are not resorts and are all public spaces, unlike in California and Europe. Beyond today's bathers, untanned and often fat, there is a glimpse of the down-at-heel city that Sydney was: the same peeling paint and worried eyes of refugees, squinting through lace curtains in semis where no one seems to turn on the light.

I found a stretch of the tramline and stared at it as you do at an archaeological dig. I lost it in the climb up to Denham Street and the Royal, where the trams had disgorged drinkers for the Six O'Clock Swill (the pubs closed at six). As a newspaper-boy, I was allowed into pubs. My mother, being a woman, was barred, apart from the ladies-only room in the back. On Saturdays, my father would bring her out a shandy or, if they had things to discuss, a DA (dinner ale).

"Hereyar, Sunormirror," I would yell, "all the starters and riders or somethingtasiton." And when I came home that Saturday, with my clothes torn and knees bleeding, I had to finesse my story, knowing that falling off a tram flat on my face, with my Suns and Mirrors blowing away in a southerly, was worth it.

As the tram driver checked my limbs, a woman came out of the Manhattan Flats with a cup of tea and said that I was lucky to be alive. "You're Elsie's son, aren't you?" she said. Then I thought I was dead.

The other day, at the same Manhattan Flats, their grime timeless, I knew I was near to home. Past where the art-deco picture house used to be, there was Moore Street. It was silent now, a former trench of domestic warfare, with bodies and bottles thudding against thin walls, and opaque-eyed men back from the war, their ribcages protruding, and sorrowful women in aprons. The dazzling green of the South Pacific was unchanged, though no longer framed between smoking chimneys and sturdy dunnies.

I stood outside the tiny, dark house in Moore Street where I grew up. The corrugated-iron roof had gone, otherwise little had changed; even the old wooden box containing the gas meter, where I liked to sit waiting for people to come home, was there. I stared at it, and at the same window frames, and the same peeling window ledges, and at the front door; and I failed to find the courage to knock on it.

www.johnpilger.com

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8 comments from readers

antileft
22 February 2008 at 13:33

Well pilger, I can see why you spend do much time moaning about America- you sure are a bore when you try to find another subject.

phantom
23 February 2008 at 00:50

Beautifully written, you really do have a romantic soul as well as a razor-sharp political mind. Thank you John.

writeon
24 February 2008 at 09:50

It's interesting that when Piliger writes about something that doesn't touch on the United States or the Middle East the number of comments and attacks drops dramatically.

hannah
25 February 2008 at 04:57

What a shame. I have great respect for Pilger and his command of English but in this case he appals me. 30 Years ago I left Ireland and arrived in Australia, admittedly in Melbourne not Sydney and I have loved it ever since. We all had a shitty child hood . His was no less shitty than any one elses but it gave him the basis for becoming the man he has and for that he should be grateful not set on denigrating a fabulous city.

rajeeve
25 February 2008 at 12:59

Where did he denigrate that 'fabulous city of yours', Hannah. I think this piece is beautifully written and goes inside, with pain and nostalgia..thanks John. Wait for more of your writings.

Jonathan B
25 February 2008 at 21:36

I think some of you are being a bit unfair to JP. I would have thought it reasonable for a writer of his faith and skill to divert from his usual track and write about his childhood. What's wrong with that? If you go back through his articles there are some other good examples of his past experiences (his one about swimming comes to mind) always interesting and yes diverting from the more serious topics of human failure. However, JP, my own view about the Bondi article is that Sydney well and truly still retains its seedy and down at heel characteristics. One just has to move out a few more kilometres from Bondi and the Eastern Suburbs to find them. It's the same process of re-location that occurs in all three of Australia's big cities. Sydney - the western suburbs, Melbourne - the west and south east and Brisbane - the Gold Coast strip. One doesn't have to look too hard to find the 21st century equivalents of packed public transport, lace curtains, dog shit and opaque eyed women. Thanks JP.

rajeeve
26 February 2008 at 07:09

i dont know about australia jonathan and hence cannot comment on ur views. but i too liked this article much, though JPs language i find sometime hard to comprehend due to my own limited knowledge of vocabulary, and in this instance, about the place.

mikelinney68
04 March 2008 at 16:26

I will migrate from my home town of Manchester to Australia in a few days, after over a year of planning and visa applications. Though I will be heading for Perth and not Sydney, I've been to Bondi many times and recognise many of the characteristics and vibes that John writes about. Yet, to me, after growing up in the gloom, crime, & drizzle of a Manchester long since shorn of its importance to the world, Australia has always represented a life beyond the grimness of the everyday grind that is life in northern Britain. So cheer up John, Bondi may have its ghosts, but it's still better than a north east Manchester council estate.

Ps, why do so many idiots come on here to hurl insults at you? I guess you must be doing something right.

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About the writer

John Pilger

John Pilger, renowned investigative journalist and documentary film-maker, is one of only two to have twice won British journalism's top award; his documentaries have won academy awards in both the UK and the US. In a New Statesman survey of the 50 heroes of our time, Pilger came fourth behind Aung San Suu Kyi and Nelson Mandela. "John Pilger," wrote Harold Pinter, "unearths, with steely attention facts, the filthy truth. I salute him."

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