Cubed: A Secret History of the Workplace
Nikil Saval
Doubleday, 2014
Five days a week I commute to a skyscraper in the main business district of a large city and sit at a desk within whispering distance of another desk. Whatever the word “work” used to conjure, my version is now quite standard. About 40 million Americans make a living in some sort of cubicle.
Are we happy about that? The likelihood that we are not is central to Nikil Saval’s impressive debut, Cubed: A Secret History of the Workplace. He begins with a description of a viral video purporting to show a spontaneous case of cubicle rage – “purporting” because it may have been a hoax – and lingers on the famous scene from Office Space in which three frustrated employees destroy a fax machine. Having proven his cultural bona fides, Saval explicitly positions Cubed as a pop-modern version of C Wright Mills’s 1951 White Collar: The American Middle Classes, a sociological text that took a dim view of non-manual labor as tedious and isolating.