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28 November 2016

Why John Berger is the least theoretical Marxist on Earth

Andrew Marr on the work of the award-winning left-wing writer and artist at 90.

By Andrew Marr

The story of John Berger is the survival and triumph of a shape-shifter. A painter who turned to writing, he became the single most influential commentator on art of our times. A novelist who rejected mainstream fictional forms, he won the Booker Prize in 1972 and used the award to fund Black Panther revolutionaries. A passionate Marxist, he has remained popular throughout the waning of Marxism. An upper-middle-class Englishman, soldier and Londoner, he turned his back on the fizzing metropolis to live in rural France, and so became an ­authentic internationalist.

This month he turned 90, but he is still possessed of the wolfish mental and phy­sical energy, the bodily charisma, he has ­always enjoyed. And, happily, a clutch of new books, by and about him, takes us closer to the mystery that is John Berger.

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“Lapwing and Fox: Conversations Between John Berger and John Christie” is published by Objectif Press (288pp, £28)
 
“Landscapes: John Berger on Art”, edited by Tom Overton, is published by Verso (272pp, £16.99)
 
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